我正在试图伤你的心

简介：

简介：

时光在生命中刻下印记，书写独特篇章。《人生一万年》第二季，我们不谈论“如何抵达百岁”，而是观照“百岁时光活出怎样的精彩”，遇见时光与生命共同酿造的温暖奇迹。

简介：

　　Psychomagic explores the therapeutic work of director Alejandro Jodorowsky, showing by means of real acts, what Psychomagic is, its principle, how it is practiced, and how it is applied in life. Jodorowsky works directly with real, suffering people who are eager to solve their problems.

简介：

该系列由帕洛阿尔托警察局退休侦探桑德拉·布朗 (Sandra Brown) 主演，她揭露了科技繁荣初期发生的一些最令人震惊和扭曲的谋杀案。

简介：

大鳄鱼在看着我ddd。跟随我们的船，学习我们的动作。他们聪明、饥饿、体型庞大。他们能有多大？是什么让他们尝到了人肉的味道？谁是世界上最致命的鳄鱼？通过鳄鱼袭击故事，我们探索了世界各地鳄鱼物种的最新行为和状态。

简介：

《欲望主题》是一部发人深省的电影，它探讨了美丽标准的文化转变，即接受（或挪用）黑人美学和特征，解构了我们对种族和美丽背后力量的理解。

简介：

第一集：高速上嚣张的轿车窃贼                                                                      　　第二集：河沟女尸                                                                      　　第三集：黑车网络覆灭记                                                                      　　第四集：家中连遭横祸 到底什么原因                                                                      　　第五集：小城惊现“骇客帝国”                                                                      　　第六集：昏灯血影                                                                      　　第七集：全程缉拿黄金大盗                                                                      　　第八集：深井下的秘密                                                                      　　第九集：劫中劫                                                                      　　第十集：飞摩连环抢劫案                                                                      　　第十一集：市区现持枪歹徒警方紧急围捕                                                                      　　第十二集：女店员半夜被残忍杀害

简介：

　　该纪录剧集由詹姆斯·卡梅隆监制，由荣获奥斯卡奖提名和英国电影学院奖的本尼迪克特·康伯巴奇配音。《超凡动物奇观》大胆创新，采用前沿电影制作技术，为您揭秘身怀秘技，感官超强的奇异动物。让我们从蜜蜂的视角感受花朵，偷听海象的对话，和发光松鼠一起深夜翱翔。

简介：

　　科幻作品的迷人之处，在于借助作者奇幻的想象力，让读者与观众以科学假说为前提，去重新审视我们的过去、现在与未来，并对现实进行思想实验。而本部系列纪录片则会带我们惊喜地发现，原来科幻作品中最脑洞大开的情节，也已经悄然在研究与实践中，我们在科幻作品中窥见的，可能就是我们的未来。《未来漫游指南》由B站出品，BBC Science Unit承制，3集×50分钟的科幻×天文科普纪录片。由刘慈欣作为线索人物与讲述人，与全球最前沿科研领域代表人物，一同探索刘慈欣科幻作品中提及的情节、科技与假想，是如何正在我们身边发生的。

简介：

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：

深入了解一个在邪教中长大的女人的迷人故事，她通过教她的鹦鹉读书而治愈的旅程重塑了我们对跨物种交流的理解。

简介：

　　哈乌·佩克将执导HBO纪录片[消灭所有的野兽](Exterminate All the Brutes，暂译)。该纪录片由4集组成，将通过历史、当代生活、小说，以一段深入人类最黑暗时刻的个人旅程，解构历史的创造和掩盖，探索欧洲殖民主义的剥削和种族灭绝形势。乔什·哈奈特将在后面几节中担任主角。